HFS provides print and digital distribution for a distinguished list of university presses and nonprofit institutions. MUSE delivers outstanding results to the scholarly community by maximizing revenues for publishers, providing value to libraries, and enabling access for scholars worldwide. Project MUSE is a leading provider of digital humanities and social sciences content, providing access to journal and book content from nearly 300 publishers. With warehouses on three continents, worldwide sales representation, and a robust digital publishing program, the Books Division connects Hopkins authors to scholars, experts, and educational and research institutions around the world. ![]() With critically acclaimed titles in history, science, higher education, consumer health, humanities, classics, and public health, the Books Division publishes 150 new books each year and maintains a backlist in excess of 3,000 titles. The division also manages membership services for more than 50 scholarly and professional associations and societies. The Journals Division publishes 85 journals in the arts and humanities, technology and medicine, higher education, history, political science, and library science. The Press is home to the largest journal publication program of any U.S.-based university press. Paris: Seghers.One of the largest publishers in the United States, the Johns Hopkins University Press combines traditional books and journals publishing units with cutting-edge service divisions that sustain diversity and independence among nonprofit, scholarly publishers, societies, and associations. Human, All Too Human: A Book for Free Spirits. The Gift: The Form and Reason for Exchange in Archaic Societies. Cambridge, MA: Har- vard University Press. “On the Marionette Theatre.” The Drama Review 163 (The “Puppet” Issue): 22–26. A Journey through Other Spaces: Essays And Manifestos, 1944– 1990. “Presenting Death: Uncanny Performing Objects in Taduesz Kantor’s Dead Class.” Puppetry International 31 (Spring/Summer): 14–18. “The Uncanny.” New Literary History 7.3: 619–45. “An explosive genealogy: theatre, philosophy and the art of presentation.” Cosmos and History: The Journal of Natural and Social Philosophy 2.1– 2: 226–40.įreud, Sigmund (1976). Chicago: Uni- versity of Chicago Press.įeltham, Oliver (2006). “Plato’s Pharmacy.” In Disseminations, 61–172. rence/archive/debord/society.htm.ĭerrida, Jacques (1981). ![]() Fredy Perlman and Jon Supak, Black & Red. London: Dance Books.Ĭraig, Edward Gordon (2008). BBC Television.Ĭraig, Edward Gordon (1978). London: Methuen.Ĭhapman, Graham and John Cleese (2014). “The Modern Theatre is the Epic Theatre”. Cambridge, MA: Harvard University Press.īrecht, Bertold (1964). “On the Concept of History.” In Selected Writings, Vol. ![]() Cambridge, MA: Harvard University Press.īenjamin, Walter (2006). “The Work of Art in the Age of Its Technological Reproducibility.” In Selected Writings, Vol. “Rhapsody for the Theatre: A Short Philosophical Treatise.” Theatre Survey 49.2: 187–238.īenjamin, Walter (2002). Cambridge: Polity Press.īadiou, Alain (2008). In Praise of Theatre (With Nicolas Truong). New York: Grove Press.īadiou, Alain (2015).
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