![]() ![]() ![]() And you know, we're always in contact with each other, talking through different aspects. ![]() But Gerard has ten volumes in his head, right? So I spent a lot of time talking to him about where he's going with the graphic novel. So some things we do inspire where they're going. But sometimes, you know, we have two different media that are actually inspired the other way. Obviously I'm, and everything is, inspired by the graphic novels as the springboard. Not only do they allow that, we've all come to the conclusion that the graphic novel and the TV show don't have to be exact replicas of each other. They're so generous with me with their storytelling. Gerard and I are - and Gabriel Bá as well, obviously - we become very close over the years. When I asked the showrunner about how that worked, and how much access to the material he had for the purposes of planning and creating (as well as avoiding duplication), he explained how his evergrowing friendship with the comic book creators has helped the process out. were developing a TV story around elements that hadn't been fully introduced yet in the source material. So it was technically the first time that Steve Blackman & Co. But then the TV show came around and semi-coincided with the Hotel Oblivion arc, with confirmed plans to deliver the next batch of issues in the not-too-distant future. Gerard Way and Gabriel Bá first unleashed The Umbrella Academy on the world back in 2007, and it seemed for many years as if the Hargreeves squad would only be around for a 12-issue existence. Steve Blackman On Comic Connections And Creator Relationships But then maybe it just looked cool in the moment to the set decorator, and there's no hidden meaning.Īnd while it's likely not necessarily a Shining nod, Klaus pushing a joyful Stan around the halls on a housekeeping cart was at least vaguely reminiscent of Danny Torrence riding around on his tricycle, even if without the Steadicam involved. In the sense of both ol' Lester Pockets and Jack Torrence. Since its use was more limited, though, I believe it could easily represent the basic idea of dual identities. Had the pattern shown up on the wallpaper in everyone’s rooms, or had it been all over the public areas of the Hotel Obsidian, that’d be one thing. In any case, while Steve Blackman didn’t speak to what the symbolism could mean within the context of Season 3’s storyline, I think there’s still something to chew on there. Specifically, the wallpaper within the room of one Lester Pocket (not his real identity) features the same pattern as the instantly recognizable hallway carpet from The Shining’s Overlook Hotel. Sure enough, while The Umbrella Academy didn’t feature any nightmarishly wrinkled old women stepping out of the shower in Season 3, the Netflix series did incorporate some classic iconography from the Jack Nicholson-starring adaptation. (Though any and all 1408 easter eggs are welcomed as well.) It’s basically a pop culture rule at this point that when a TV show or movie features a reality-breaking hotel as a setting, it’s imperative to utilize at least one Stephen King reference, presumably tied to Stanley Kubrick’s masterpiece adaptation of The Shining. Hargreeves siblings living it up inside the alt-named Hotel Obsidian for the majority of Season 3. But as it went with the prior two seasons, fans also knew showrunner Steve Blackman would totally shake the story up in unfamiliar ways, which led to the O.G. Fans knew going into The Umbrella Academy’s third outing that the powered-up Netflix drama would be roundabout tackling the comic book series’ “Hotel Oblivion” arc, while also introducing the upcoming fourth arc’s Sparrow Academy.
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